Music Minus One I: Concierto Barroco (1995)
Escercisi sulla fragilità (1994)
Seven Minutes Desert (1991)
Music Minus One II: Alegrias (1996)
Acción - Reacción (1995)
Del lado oscuro (1999)
Lezione di retorica (2001)
La isla de las mujeres (1996)
Metamusic. A suitible term far all these works, if by this we understand that musical aspects are soemhow transcended, transgressed.
Sitting between chairs. A transgression which leads, through interactions of materials
and intentions, controlled use of randomness or indeterminacy, conceptual game of measurement or definition,
to the contemplation of music itself as yet another fragment of the whole, because the sound
objects may have a dramatic or musical nature.
How could this whole, the resuktant bereferred to?
Perhaps through the evocation of "heterotropy", of those spaces of otherness, of deviation.
Superimposing times and spaces, following sometimes the school of Radio Art. Once a theme is established
some pieces unfold by means of confrontation of elements - dramatic, musical, gestural -
and also of sound objects - musical, concrete, verbal sounds. Like in radio language.
They are worlds sitting between chairs. And the performer always is an accomplice ...
