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WE0042 Johannes S. Sistermanns

UN ENT LOS

(Duración: 01:14:29)

1. UN ENT LOS 01

2. UN ENT LOS 02

3. UN ENT LOS 03

4. UN ENT LOS 04

5. UN ENT LOS 05

6. UN ENT LOS 06

7. UN ENT LOS 07

8. UN ENT LOS 08

9. UN ENT LOS 09

10. UN ENT LOS 10

11. UN ENT LOS 11

12. UN ENT LOS 12

13. UN ENT LOS 13

14. UN ENT LOS 14

15. UN ENT LOS 15

16. UN ENT LOS 16

17. UN ENT LOS 17

18. UN ENT LOS 18

19. UN ENT LOS 19

20. UN ENT LOS 20

21. UN ENT LOS 21

22. UN ENT LOS 22

23. UN ENT LOS 23

24. UN ENT LOS 24

25. UN ENT LOS 25

26. UN ENT LOS 26

27. UN ENT LOS 27

28. UN ENT LOS 28

29. UN ENT LOS 29

30. UN ENT LOS 30

31. UN ENT LOS 31

32. UN ENT LOS 32

33. UN ENT LOS 33

34. UN ENT LOS 34

35. UN ENT LOS 35

36. UN ENT LOS 36

CD #0042 JOHANNES S. SISTERMANNS : UN ENT LOS

UN ENT LOS is a composition of a total of 36 electroacoustic miniatures, for which Johannes S. Sistermanns has drawn from his wide-ranging audio archive. 

The material of his composed, fleeting sound moments are sounds of the numerous musical instruments he plays and their electroacoustic transformation. In addition, field recordings from the Australian outback and the soundscapes of metropolises such as Shanghai, Hong Kong or New York can be heard, as well as the diverse resonance sounds that Sistermann calls "space sounds", which he has collected through the use of his voice in places all over the world.

UN ENT LOS also features collaborations with cellist Andi Otto and Australian author and artist Linda Marie Walker, with whom Sistermanns has already collaborated on radiofone radio play productions.

The title-giving play on words "UN ENT LOS" resonates with the endless or infinite. In addition, Sistermanns would like the prefix "UN" to be associated with the idea of UNpredictability and UNconcludability; the middle syllable "ENT" with the idea of DE coupling. A DEcoupling that the composer pursues in his own work as a LOS/LESS solution from the history of compositional ideas and would like to offer on the part of the listener as a liberation from a listening expectation that has been shaped by theory, form and habit.


 

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